THE GEAR
BEHIND THE ROOM.
This is the working rig behind KRONIS LIVE and the Galaxy Room: the guitars, monitoring tools, and visual pieces I actually use to make the live show feel like a real room, not just another scroll-by broadcast.
Disclosure: some links may be affiliate links. If you buy through them, I may earn a commission at no extra cost to you. Brand links are included because these are part of the actual live setup, not paid placement unless clearly marked.
GUITARS THAT
CARRY THE ROOM.
The Galaxy Room is built around guitars that can go from intimate acoustic moments to high-output progressive rock without losing personality. These are the instruments I trust on live.
Godin Metropolis Acoustic
The Godin Metropolis is the acoustic side of the room: warm enough for songs, direct enough for live vocals, and Canadian in the way that matters to the KRONIS story.
- Used for acoustic live moments and stripped-down performance.
- Feels right for songs where the lyric needs to sit up front.
- Great fit for Morning Coffee, writing talk, and calmer Galaxy Room sections.
Ernie Ball Music Man Majesty
The Majesty is the performance machine: fast, expressive, modern, and made for the kind of live guitar moments where the instrument needs to disappear under your hands.
- Built for expressive lead playing and progressive-rock control.
- The guitar I reach for when the room needs lift, speed, and drama.
- A serious instrument with serious stage energy.
Three Ernie Ball Music Man JP6s
The JP6s are the dependable workhorses: familiar feel, tight response, and the John Petrucci design DNA that fits the KRONIS guitar language.
See the JP6Why multiple guitars?
Different tunings, different moods, backup reliability, and less friction when the room moves fast. Live is easier when the rig is ready before the moment arrives.
Why these brands?
They feel like instruments, not props. The point is to play better, react faster, and keep the audience in the song instead of fighting the setup.
HEAR CLEARLY.
PLAY BETTER.
For live performance, monitoring is not a luxury. It is how you keep pitch, timing, guitar tone, and vocal confidence from falling apart when the room gets loud.
64 Audio
64 Audio is the in-ear monitor reference point for the live setup: cleaner monitoring, less room noise, and a more professional signal path when the performance matters.
- Useful for hearing vocals, guitar, backing tracks, and room audio with more control.
- Helps reduce the chaos of trying to perform through laptop speakers or room sound.
- One of the pro-audio names I trust enough to point people toward.
The audience hears the confidence.
Good monitoring changes how you sing, how you play, and how relaxed you look on camera. The viewer may never see the in-ears, but they feel the difference because the performance gets steadier.
This is the unglamorous part of the rig that makes the glamorous part possible.
THE GLASSES ARE
PART OF THE SHOW.
Some gear makes sound. Some gear makes the room instantly recognizable. The LED glasses/visor are part of the Galaxy Room visual language: bright, strange, fun, and impossible to confuse with a boring livestream.
LED Light Glasses / Visor
This is the kind of inexpensive live prop that can change the whole feel of a room: it catches attention, makes clips pop, and gives the show a visual anchor people remember.
- Useful for TikTok LIVE intros, music moments, and short-form clips.
- Fits the Galaxy Room look without needing a full studio build.
- Easy first upgrade for creators who want their live to feel more like a show.
Gear is a signal, not a substitute.
The real room is still the songs, the conversation, and the people. Gear just helps the signal land faster. Start with what makes your live clearer, easier to run, and more memorable.
Amazon affiliate disclosure: as an Amazon Associate, I may earn from qualifying purchases through the glasses link.
Want the live room itself?
Come into the Galaxy Room, see the setup in use, and ask about the rig while it is actually doing the job.